Are you a registered Albino 3 owner? If so we can offer you a special cross-grade to Predator or BLUE-II. Register your Albino3 (if you haven't already) and then contact us for the cross-grade. View and Download LinPlug Albino 3 manual online. Next time you start your host software the Albino 3 will be listed in the AU / RTAS / VST Instrument list.
When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and change our default settings.
However, blocking some types of cookies may impact your experience of the site and the services we are able to offer.
Formats: Mac AU, RTAS & VST; PC RTAS & VST Rob Papen seems to be the kind of guy who is able to program inspirational synth sounds in the way that the rest of us breathe — regularly and without any apparent conscious effort. Even if you haven't heard of this Dutch sound designer by name, you'll have heard his handiwork in soundsets for Access, Alesis, Emu and Waldorf.
In 2002, Papen approached Peter Linsener of Linplug with the idea of building a virtual instrument worthy of bearing both their signatures. The result was Albino, a soft synth with four oscillators, two filters, comprehensive modulation routing, and effects. That might sound just like a lot of other 'generic' soft synths on the market, but Albino 's trump card was its 1400 high-quality sounds designed by Papen himself. These presets alone were well worth the cost of the program, and for anyone wanting to try their own hand at sound sculpture, they also showcased the exceptional range of tones and textures that Albino was capable of producing. Version 2 duly followed, adding a powerful arpeggiator and new digital waveforms, and beefing up the effects.
The latest version, Albino 3, carries the flag forward a further stage. Probably the biggest news for existing users is that each preset can be made up of four individual sound layers.
This literally quadruples the creative possibilities when programming individual sounds (80 oscillators per note, anyone?). But it also makes up for the fact that Albino is not a multitimbral instrument, so if you want to run several sounds at once you have to run several instances of it. Or rather, attempt to run several instances, as Albino continues to have a large appetite for CPU resources. Linplug reckon that a well-specified Mac or PC digital recording setup should be able to handle about 120 digital or 75 virtual analogue oscillators' worth of sounds. In real terms, on a dual-processor Power Mac G5 running Pro Tools LE, I can't realistically run more than three instances of it. Other significant Albino 3 changes occur in the filters department, where the previous Silk and Cream varieties are joined by a rather less than polite Scream variation (very tasty when the resonance is cranked up) plus a Comb filter. The effects have been expanded with a wah-wah, a great lo-fi effect, a more flexible reverb and a revised compressor.
...">Albino 3 Vst Rapidshare Downloads(18.04.2019)
Albino 3 Vst Rapidshare Downloads Rating: 8,7/10 5060 votesAre you a registered Albino 3 owner? If so we can offer you a special cross-grade to Predator or BLUE-II. Register your Albino3 (if you haven't already) and then contact us for the cross-grade. View and Download LinPlug Albino 3 manual online. Next time you start your host software the Albino 3 will be listed in the AU / RTAS / VST Instrument list.
When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. This information might be about you, your preferences or your device and is mostly used to make the site work as you expect it to. The information does not usually directly identify you, but it can give you a more personalized web experience. Because we respect your right to privacy, you can choose not to allow some types of cookies. Click on the different category headings to find out more and change our default settings.
However, blocking some types of cookies may impact your experience of the site and the services we are able to offer.
Formats: Mac AU, RTAS & VST; PC RTAS & VST Rob Papen seems to be the kind of guy who is able to program inspirational synth sounds in the way that the rest of us breathe — regularly and without any apparent conscious effort. Even if you haven't heard of this Dutch sound designer by name, you'll have heard his handiwork in soundsets for Access, Alesis, Emu and Waldorf.
In 2002, Papen approached Peter Linsener of Linplug with the idea of building a virtual instrument worthy of bearing both their signatures. The result was Albino, a soft synth with four oscillators, two filters, comprehensive modulation routing, and effects. That might sound just like a lot of other 'generic' soft synths on the market, but Albino 's trump card was its 1400 high-quality sounds designed by Papen himself. These presets alone were well worth the cost of the program, and for anyone wanting to try their own hand at sound sculpture, they also showcased the exceptional range of tones and textures that Albino was capable of producing. Version 2 duly followed, adding a powerful arpeggiator and new digital waveforms, and beefing up the effects.
The latest version, Albino 3, carries the flag forward a further stage. Probably the biggest news for existing users is that each preset can be made up of four individual sound layers.
This literally quadruples the creative possibilities when programming individual sounds (80 oscillators per note, anyone?). But it also makes up for the fact that Albino is not a multitimbral instrument, so if you want to run several sounds at once you have to run several instances of it. Or rather, attempt to run several instances, as Albino continues to have a large appetite for CPU resources. Linplug reckon that a well-specified Mac or PC digital recording setup should be able to handle about 120 digital or 75 virtual analogue oscillators' worth of sounds. In real terms, on a dual-processor Power Mac G5 running Pro Tools LE, I can't realistically run more than three instances of it. Other significant Albino 3 changes occur in the filters department, where the previous Silk and Cream varieties are joined by a rather less than polite Scream variation (very tasty when the resonance is cranked up) plus a Comb filter. The effects have been expanded with a wah-wah, a great lo-fi effect, a more flexible reverb and a revised compressor.
...">Albino 3 Vst Rapidshare Downloads(18.04.2019)
